The Funky Moped is your swanky one stop shop for everything that is music related. By keeping an ear to the sound we aim to tantalise your musical taste buds with the sights, sounds and smells of emerging artists and bands, largely focusing on the North West of England. Happy reading and see you down the front!
Yes, we hear your blood thirsty cries whilst you bay from your keyboards, asking why it has taken till the end of the first week in February for us to produce a feature entitled 'new band of the month'. However as you all know, we like to do things a little differently around here, often including the occasional afternoon siesta, plus we didn't want to over indulge you with more spectacular new music straight after the last lot. That would be just plain greedy, wouldn't it?
Whilst we emerge from an afternoon snooze, here at The Funky Moped we believe that the first band to don the prestigious robes of being the 'new band of the month' have easily been worth the wait.
Although currently based in the steel city of Sheffield, 'The Castellers', a self-defined rock 'n' roll four piece, originally hail from across the Pennines in Merseyside. Formalities and band talk aside; we have a confession to make. We've only managed to get our grubby hands and ears around a couple of the band's tunes . . . but nevertheless, we've clearly been impressed.
With a passion for pretty much everything sixties, 'The Castellers' are certainly embarking upon their own journey, especially being strapped to a sound that arks back a number decades, but at the same time, keeps at least one foot in the future, with eyes fixed firmly on rock 'n' roll's next move. At best they deliver music in its most purist and simple form, albeit with a slightly more hallucinogenic sting in its tail, to which their track "Five Days Time" definitely denotes.
If you can imagine that time when you dropped acid with 'The Coral' and 'Twisted Wheel' right before you stepped on the fairground, then you've hit 'Five Days Time' square in its face. A looping Wurlitzer type vibe provides the insanely addictive backdrop, whilst a spiky and angular guitar riff punctures an expansive pathway through skeleton of the song, making it a magical masterpiece of noise.
'The Castellers - Five Days Time'
Miles and possible poles apart from the colourful "Five Days Time", "Jackson In The Barrel" is clearly its duffel coated and heavy boots cladded older brother. As a lonesome acoustic guitar eerily descends upon the song's dark jugular, nimble licks and howls are then wound into a web of noise that creates enough atmosphere and tension to throw Jackson out of the barrel and straight into overdrive. Shackled down and commanded by Healey's powerhouse vocals, it's as if the swagger of 'Oasis' has been paired up with the brutality of 'Black Rebel Motorcycle Club', to which they have then decided to wade off into the desert together.
Best confined to a late night session that consists of a bottle of bourbon within a smoky back room, we reckon "Jackson In The Barrel" is one best new tunes we've heard this year. Well it may only be February, but like the band themselves; it has legs as well as the potential to be colossal. We are proud as punch to present 'The Castellers' as our band of the month for February, let's hope they can keep this up!
Worried about the future of guitar music? Fear not . . .
Well, we've all had to endure the cauldron of lacklustre and woefully whimsy electronically based music in the last few years, but all that is about to change, as we give you a heads up on the hottest, brightest and down right grittiest guitar bands out there right now. Yes, many may have already waded through the murky waters of rock 'n' roll in recent times, however we believe that these valuable sources of musical brilliance have all but dried up recently, with the pale and predictable being stuck on the lips of every 'alternative' radio DJ up and down the land.
Take our hands, as we help to unblock those rock laden arteries that have been clogged up for far too long with the humdrum, mediocre and seriously overrated. At The Funky Moped, we believe that the greatest method of achieving this is by pouring fuel onto the fire, so we've lined up 10 axe wielding outfits who've recited the rock 'n' roll mantra and are ready to restore your faith in the sacred religion of guitar music.
The Bluebottle Veins
Hailing from over the boarder in North Wales, 'The Bluebottle Veins' are, even to their own admission, rediscovering a sound that has lay dormant for too long. This four piece certainly do abide by this statement, by delivering pure rock 'n' roll brutality that has been pepper sprayed with the blues.
Their sleazy guitar licks sound so powerful it's as if they've been fired out of a fully loaded six shooter, causing damage to everybody and everything inside the joint. Being both chaotic and reserved "Raindrop Blues" is the perfect example of this, with nods in every direction to riff dominating bands such as 'The Gun Club' and 'The White Stripes'.
It appears that 'The Bluebottle Veins' have created something very special and unique from a musical recipe that has already seen its fair share of winners and losers. Just to add another string to their already covered bow, their tune "Resentment Song" features a singer who provides one of the most original voices we've heard in a while, imagine a sixties 'Marc Bolan' having a love child with a drugged up 'Miles Kane' then you're half way there. 'The Bluebottle Veins' appear to be a band that have the wind in their musical sails, to which we know they're going to have a massive 2013.
'The Bluebottle Veins - Raindrop Blues'
Skeleton Suite
If we chose not to tip our hats to this guitar ensemble, we'd be sure to find ourselves in court on trial for crimes against musical taste . . . having already found themselves at the summit of most of the 'ones to watch in 2013' lists, 'Skeleton Suite' are one of these bands that you simply cannot ignore.
Seen to be playing most of their debut EP on the rev limiter and within a whisker of natural catastrophe, 'Skeleton Suite' complete with their tyrannosaurus sized riffs, appears to have flooded their amps with dynamite, making it seem difficult to believe that this band have only been performing live for a couple of months now.
Their raw, dynamic and wonderfully produced tones are a match makers heaven for anything quintessentially British or American, with "Nothing better than the English weather" being the offspring of 'Kasabian' and 'Interpol'. The monumental tones of
"mediocre poetry" is a must listen, lurking within the shadows
of a 'U2' inspired riff which eventually erupts into an
epic crescendo of superb drumming and feedback highly reminiscent of 'The
Who'.
If you find yourself flagging during your day, having a listen to 'Skeleton Suite' will definitely get you back on the rails. However, stronger than a conventional cup of coffee or even a double espresso, their EP is reminiscent of downing 11 whiskeys and taking half an E - it's megor!
'Skeleton Suite - Mediocre Poetry'
Drenge
It has become apparent that Sheffield siblings Rory and Eoin have long ditched their previous existence of piano ballads and barn dances, and have instead opted for a six string beauty, a couple of drumsticks as well as a snarling rock 'n' roll attitude. As a result 'Drenge' was formed, a rip roaring no holds bar duo who sense each song as being a potential war zone, thus leading to some adrenaline enhanced antics amongst their listeners.
The debut single "Dogmeat", paints the perfect picture of the pumped up and gloves off mentality that 'Drenge' posses, with a barrage of visceral guitar riffs being consumed by every inch of your mind. On top of this, there is enough aggression in the percussion to knock the stuffing right out of you, leaving any victim bedridden for days. Their blend of ballsy garage rock and sweat covered hardcore, results in a hugely attractive vibe, drawing up comparisons to '22-20s' as well as South Yorkshire's answer of 'The Black Keys'.
Other tracks such as "I Wanna Break You In Half" and "People In Love Make Me Feel Yuck" again exposure the menacing side of 'Drenge', in which they're guaranteed to be tearing down a couple of walls in a venue near you over the next 12 or so months. However, all this pent up aggression is, rather oddly, juxtaposed with some hilarious DIY music videos that are certainly worth a butchers on their own.
'Drenge - Dogmeat'
The Balcony Stars
Only coming to the surface every so often to release a shiny new EP or play the odd live gig, 'The Balcony Stars' are a Liverpudlian band seen to be etched in mystique, coming across as a tough cookie to crack for many an observer. Classed as a psych-pop punk band, 'The Balcony Stars' have been in existence for a while now, having provided a number of critically acclaimed EP's.
However, the release of their latest record "Electric Lazarus" has tantalised our musical taste buds so much that their inclusion onto The Funky Moped has become virtually inevitable. Exciting, engrossing and stifled with enough hallucinogenic harmonies you'll be tripping all the way to Benicassim, 'The Balcony Stars' finally prove they can cut the mustard with the big boys of lo-fi psychedelic pop.
With an amalgamation of influences which book end the Atlantic ocean, you can expect to hear glimpses of 'The Velvet Underground', 'Spaceman 3' as well as slight glazes of 'Kasabian', especially on the track "Amen Sense". This band are certainly worth checking out, plus their EP, the one that we've been bangin' on about, is available to download free.
'The Balcony Stars - Black Palm Flower'
The Boston Tea Party
Sprouting from Dundee, 'The Boston Tea Party' play music that transports a slice of traditional southern coated splendour to an array of Scottish ears. Sharing a mutual passion for everything roots, blues, folk and rock 'n' roll related, this four piece open up the treasure trove of timeless noise and bring it to attention in such an effortless way.
Their self titled EP is definitely worth a listen and it's full of them songs that will have you believing that you've heard them before somewhere, but trust us you haven't, 'The Boston Tea Party' are that good. Highlights are certainly "Down This Road Again" and "Lay Me Down", which are frantic, fast paced as well as featuring enough instruments to shake a proverbial stick at. Ok, so writing songs about 'losing all your money down in a Mississippi town' may seem a little far fetched for a tiny venue nestled in the darkest corner of Dundee, but like this band, it's ambitious and totally wide reaching . . . plus they love whiskey, what's not to like.
By drawing up comparisons to similar artists, we are also delivering one hell of a vital history lesson on classic rock, but nevertheless early shades of 'Fleetwood Mac', 'Creedance Clearwater Revival' and 'Cream' are largely prominent within the majority of their tunes. However, when 'The Boston Tea Party' often descend off into the sunset in a blaze of twelve bar blues glory you can't help but picture 'BB King', or better still, a wild west saloon.
'The Boston Tea Party - Lay Me Down'
Lost Avenue
By stabbing rock music in the back with a deadly dosage of blood thirsty punk, new Northern Irish troupe 'Lost Avenue' are a band who are aiming to follow in the same musical direction of fellow punk pioneers and countrymen 'Stiff Little Fingers'.
With enough raw guitar power to blow the hinges off a door and leave Jumpin Jack Flash flat on his arse, 'Lost Avenue' definitely deliver that fresh punk / garage rock crossover vibe we've all been longing for in the last few years. Their debut EP "Ethanol" certainly shines a light on their talented songwriting skills, to which we are all in safe hands. As a wall of well crafted feedback lurks over each track, the band naturally snake charm melodies into place to create some boisterous and blistering sounding noise.
"See Right Through It" presents everything that you might expect from these Derry dynamos, an agitated destruction of guitars and percussion much like 'The Undertones' as well as an engrossing voice that's inspired by 'Placebo' lead vocalist Brian Molko. Single "Ethanol" is probably the pick of the bunch as it clearly gives us all a glimpse to the abilities and potential longevity of 'Lost Avenue' as a future band.
'Lost Avenue - Ethanol'
The Strypes
After leaving Derry and travelling 90 or so miles south we embark upon picturesque Cavan, of which is the home of our next band, a hugely talented quartet called 'The Strypes'. Having just recently penned a multi-album deal with record label giants Mercury, these 4 lads with an average age of about 16, appear to reject any tune that has been written after the mid sixties. With a sound more synonymous to their grandparent's era, 'The Strypes' arm themselves with one hell of a vintage rhythm and blues sound that is more likely to be heard chiming out of the Cavern rather than Cavan.
Playing homage to a host of American and English influences including 'The Who', 'Chuck Berry' and 'The Animals', this band declare themselves as being the antithesis of modern music and it's easy to see why, as they look extremely dapper being cladded head to toe in matching suits, shades and boots. The opening track from their debut EP "Young, Gifted and Blue", "You Can't Judge A Book By The Cover" captures everything that's so amazing about this band, with it's fast paced no nonsense mentality, this song fiercely erupts into a fine jangle of rhythm and blues that's sure to witness your greatest, and most embarrassing, dance moves.
"Blue Collar Jane" is another one of them tunes that will have your feet tapping and knees trembling, not just from the dazzling beat, but also from McClorey's technical and simply untouchable guitar playing that's even had the modfather himself, 'Paul Weller' shitting a brick and upping his game because of it. Throwing the odd cover in for good measure (well 'The Beatles' used to and they did alright), boy 'The Strypes' can play! With the bass, drums, guitar and harmonic constantly tangled in a Mexican standoff of noise in order to be heard the loudest.
This is one of those rare occasions where we could talk till the cows come home about the future potential of this band, so we'll shut up and let you all decide. Currently plotting their own UK and European tour, keep those ears peeled as the sound of 'The Strypes' is gonna' be huge.
'The Strypes - You Can't Judge A Book By The Cover'
SlyDigs
Taking rock music by the scruff of its neck and then rubbing its face in a muddy gutter, 'SlyDigs' have become one of the hottest and most underrated bands to emerge out of the North West in recent years. Decked out with a heap of supercharged lip curling charisma as well as a coolness that just oozes out from every pour, this rock 'n' roll four piece supply songs that will hit square on the chin leaving you dazed, confused but still wanting a whole lot more.
The cravat sporting last gang in town, have already conjured up an album of magic, that flirts with the sonics of 'The Rolling Stones' and brushes shoulders with the likes of 'Jet' and 'Arctic Monkeys'. The filthy foot stomping rock 'n' roll presented by 'SlyDigs' is bundled into bite-size pockets of feedback and energy that instantly give you thrills, spills and illegal pills you've come to expect from a band of this calibre.
Track such as "Worth Your Weight In Gold", "The Love That Keeps On Giving" and "Bang Bang & The Bullet Was Gone" are catchy as well as brimmed with an ocean of flare and attitude. With rasping vocals added to a portion of relentless guitar riffs, 'SlyDigs' play with their musical hearts on their sleeve, to which we bloody dig.
'SlyDigs - The Love That Keeps On Giving'
Turrentine Jones
Although more Hammond than hammer-on, we are still certain that 'Turrentine Jones' are one of those bands that will rekindle your affinity with the electric axe in 2013. Having already smashed every expectation placed on their smoky blues covered shoulders into fine pieces, this Mancunian based three piece do their best to take rock 'n' blues to another level of beauty and grace.
The swirling 'Booker T' inspired organ is placed at the forefront of
their phenomenal sound, with Julian's sultry vocals arriving straight from the 60's that is then tightly underpinned by some tender guitar licks.
Recent singles "Show Me Mercy", "Slam the
door" as well as new single "Della May",
are a world away from a traditional swaggering Mancunian outfit, but the sonics
of 'Turrentine Jones' are effortless, refreshing and totally unique.
The fact that they recently picked up
two gongs from the Exposure Music Awards and even peaked at number thirteen in
the Australian charts is testament to their talents and future potential. If rousing harmonies that live on the edge are your thing, then we recommend getting your eyes and
ears wrapped around 'The Velvet Underground' inspired 'Turrentine
Jones'.
'Turrentine Jones - Slam The Door'
Holy Esque
Even prior to the release of their eagerly awaited debut EP, Glaswegian 'Holy Esque' had already been championed as being one of the best new bands to emerge out of Scotland in quite some time. Having developed their own distinguished breed of indie rock that eclipses the sonics of professional deep thinkers 'Echo And The Bunneymen', this quartet will have the hair standing up on the back of your neck in no time.
As you've already guessed, once their self titled EP was introduced to the world, hype and expectation levels soared right off the Richter scale, catching the band on their heels. Well, after just a couple of plays it's evident to see why, with brooding guitars that cascade at the slightest opportunity, a sky scrapper of mindblowing noise is created, acting as the background to the entire record. Reminiscent of 'Rod Stewart' and 'James Dean Bradfield', Pat's gravel pit voice is bold, peculiar and certainly adds another musical dimension to this brilliant band, especially on stand out single "Tear".
Giving the likes of Facebook and Twitter the big fuck off, 'Holy Esque' actively believe that gaining a mountain of likes and followers will do nothing to sell to records. With this is mind, the band pursue playing gigs to as many people in as many weird and wonderful places as possible, even in an old Soviet Union theatre at one point (as you do!).
'Holy Esque - Tear'
As per usual, we know we've been able to relinquish your healthy appetite for modern guitar music with the introduction of 10 of the most exciting and original outfits to come out of the UK and Ireland in recent times. So let us rejoice and immerse ourselves in their brilliance as we stick two fingers up to the rest!
Mention the words North Lancastrian coastline and sweet romantic post punk pop music in the same sentence, and it will almost certainly draw a blank. However, 'The Art Club', who are a mixed gender quartet hailing from the seaside town of Morecambe, are aiming to change many a pre-conceived musical perception about this coastal region.
To say there has been a buzz about this band is a serious slight understatement. From Barnsley to Brighton, which incidentally is the city that the band are currently based in, there has definitely been waves of interest and mass nods of approval for the exceedingly vibrant and lavishly soaked cocktail of sound created by this Lancastrian four piece.
With sonics that have just jumped on the first express train from the 80's, 'The Art Club' have an incandescent ability of breathing rose tinted nostalgia of the romantic post punk era into our ears . . . minus the androgynous choice of clothing and mandatory eye liner of course. Despite this overriding influence, 'The Art Club' appear to add a slab of 'New Order' sounding magnificence to a healthy portion of 'The Drums', which is then blended up with the vibes of 'The National', just to act as the perfect musical tonic.
So, what better place to start than with "If You Still Loved Me", which certainly does encompass a whole heap of these traits, with some sultry soothing vocals and a thunderous bassline that teeters on a tight rope. Colourful, uplifting and most definitely mesmerising, "If You Still Loved Me" has an infallible appeal that stretches well beyond its three minutes and forty eight seconds playback time. Another track labelled "Baptism", highlights the band's darker and more experimental approach to their craft, as fluorescent melancholy and rattling riffs thrust the song under the same musical umbrella as 'Joy Division'.
'The Art Club - Baptism'
The debut single by 'The Art Club', "Lets Start Again" is a simplistic sounding affair, as Harry Gorst provides a beautiful blanket of noise through his drumming, which navigates the loved up subject matter into a breezy summers day on America's Eastern Seaboard. A splattering of synths melt straight into the bones of the track, whilst the cautious bassline swirls above the the melody, tentatively dipping its toes in and out every so often, leading to the creation of a joyous riot that's brimming with romance and relaxation.
'The Art Club - Let's Start Again'
The songwriting muscle of 'The Art Club' is a strong and productive one at that, with each song springing with hooks and melodies that stay burrowed deep inside your mind for a least a day or five. After graduating from 'The Jesus, Mary Chain' school of songwriting, it appears that 'The Art Club' have put into practice everything they've learnt, but with a captivating, ultra modern and hugely refreshing sleekness to it . . . of which the residents of Morecambe and its surrounding areas should really be starting to take notice of.
Whilst the majority of Manchester's musical family are left frantically pacing past the city's red cladded brick buildings in an attempt to cling on to the coat tails of music's 'next big thing', there is however, something very special lurking both literally and metaphorically beneath those same streets.
Introducing Manchester's underground music scene . . . with its organism and reputation rapidly expanding as well as being brimmed with an energetic hot-bed of unique talent, we decided to delve a little deeper into those lo-fi burrows and unearth a variety of musical gems for you to mull over - all without leaving the comfort of your own home.
So strap yourself in and turn those speakers up to eleven, as we supply you with the most potent pill on the market, pure unadulterated underground vibes!
Brown Brogues
Based in Manchester, although hailing from nearby
Wigan, 'Brown Brogues' are a no nonsense sounding duo, who strip music back
down to its most primitive and barbaric form. By match making intensive
percussion and raw fuzz-filled guitar riffs with a pinch of hollowing, yet
restrained vocals, Ben and Mark create enough basement based mayhem that
causing a ruckus with your own shadow seems quite plausible.
As they stick two fingers up to any lazy
journalist who tars them with the obligatory 'White Stripes' brush,
'Brown Brogues' appear to dodge the earth-rooted blues and instead serve up
enough lo-fi garage noise, atmosphere and intensity they could easily be
mistaken for a quartet.
Recent release "Anyone But You", is
everything that you'd expect from 'Brown Brogues', an adrenaline fuelled frenzy
of guitar strumming with extra trimmings of Ben's dynamic drumming on the side to help guide this nugget along. As intended, they brew up enough feedback to melt
the faces off 'Jesus And Mary Chain', culminating in a cocktail of noise
that lines up alongside the vibes of 'The Cramps'.
Throughout this duo's rear-guard, the lo-fi
seduction is well maintained, with tracks "Just Like You" and "I
Drove For Miles Just To Hear About The Book You've Been Reading" sounding
so powerful and commandeering, you'll defiantly be leaving one of their gigs
running for mother after having had your tail strapped between your legs.
With the release of their debut album, 'Born To
Lose', only a matter of days away, we can be rest assured that 'Brown Brogues'
possess the talent, tunes and, above all, the bollocks to break out of
Manchester's dingy dwellings and reach out across the Atlantic Ocean to
America's lo-fi heartland.
'Brown Brogues - Anyone But You'
Temple Songs
With an album already under their belts as well
as a selection of singles, 'Temple Songs' are definitely not a band who are wet
behind the ears. By adding a portion of their own dreamy DIY pop to some
Mancunian cocksureness, they create an incessant and hugely engrossing early
60's surf vibe that leans heavily on the shoulders of 'The Beach Boys' and
'Harlem'.
Not scared to write a catchy song or fifteen,
'Temple Songs' roll the essential pop prerequisites in a glitter of delicate
melodies, mild psychedelica and lo-fi inebriation, blissfully placing you at
the wheel of a 64' VW Beetle, complete with surf boards strapped to the roof.
The joyous riot of "Magick With A K" is a particular highlight, with its
stabbing guitars as well as trippy vocals pummelling the song until it is
whipped up into a delightful musical frenzy. "I Can't Look After You",
'Temple Songs' most recent release, is a cross between a summer haze and a
psychedelic melt down, and as you've guessed, we absolutely love it.
If 'The Beatles' had been a little
heavier, recorded their few first albums in a basement as well as been
introduced to LSD at an earlier stage, it probably would've sounded something
like "Dragging You Down". Ok, so we may have become a little bit over
optimistic here . . . but if 'Temple Songs' carry on in the form they have
been, there is certainly no way of catching them.
'Temple Songs - I Can't Look After You'
Kult Country
One of the most recent additions to the Mancunian
underground scene are definitely 'Kult Country', who, after only a handful of
gigs in and around the city, have already received mass appreciation from the
general public, along with the sought after stamp of approval from the who's
who of Manchester music. In all their psychedelic and late night sounding
glory, 'Kult Country' produce a snyth induced sound that is weightless, thought
provoking, and at the same time, pulses vivaciously with every guitar stroke
made.
By smashing 'Spaceman 3' headlong into 'Joy
Division', they have created lo-fi underground music at its most hypnotic
and claustrophobic, with track "Slowburn" initially providing more
remedy than a sugar free Strepsil, but then erupting into an overblown vacuum
of noise towards each chorus. The release of "Tide" certainly
transcends 'Kult Country' into a land of intimacy and shoegazing dreaminess, as
the echoing guitars and synths collide gracefully with a drifting melody and
poetic lyrics.
'Kult Country' have already ensured they can cut
the mustard and stand shoulder to shoulder with other artists in Manchester's
underground treasure chest, to which their sound is compulsive and extremely easy to get
lost in!
'Kult Country - Slowburn'
Sex Hands
Often labelled under the same banner as 'Temple
Songs', 'Sex Hands' are another Manchester based band who produce exceptional
lo-fi garage pop, but do so by pushing the distortion button up to breaking
point. Although aiming to tread the well-trodden pop song footpath, 'Sex Hands'
encompass a musical pedal to the metal attitude, in which they wade in, complete with
pistols drawn, to eventually kick up a huge dirt cloud of sweet dreamy pop that
is simply other worldly.
Their whirlwind 2012 began with the release of
their mini-album 'Season 1', which certainly struck people off guard and
ultimately made them sit up and take notice of this extremely colourful and
wonderfully messy gang. Sounding like it has been recorded at the base of a
Victorian railway arch, 'Season 1' features a gripping 'Mark E Smith'-esque
howl to each track, which has then been infiltrated by the sonic’s of 'Nirvana'
as well as 'Pavement', in order to create a screeching jangle of
melody and pleasure.
Their stand out tracks are certainly "Way No
Way" and "ICHIBAN", that capture everything that it is so mesmerising
about the song writing capabilities of 'Sex Hands'. Short sharp bursts of
energy.
'Sex Hands - ICHIBAN'
The Bell Peppers
With a name resembling one of your 5 a day, 'The Bell Peppers' certainly fry up a storm when it comes to producing fantastic
lo-fi underground. The Mancunian band, who feature two left handed
guitarists as well as a healthy obsession with reel to reel recorders,
formulate vibes that raise a glass or two, to the surfing doo-wop era of early
sixties rock 'n' roll.
Their dream hampered guitar licks may appear to
be more suited to America's west coast, than of the over bearing grey skies
associated with Mancunia, but their songs are totally transfixing, acting like
a hypnotist’s watch from their very first flurry. The release of two EP's in
the last two years, 'Cooking with Bell Peppers' and 'Saved by The Bell
Peppers', definitely demonstrates this band are no flash in the musical pan,
with tracks such as "Tourettes" and "Golf Shack" sounding
like an episode of Come Dine With Me in which the laid back 'Rascals (of Miles Kane fame)' are
cooking up some succulent surf noise with 'Buddy Holly'.
We really hope that 'The Bell Peppers' continue
to produce such exceptionally named EP's as we want to feel as if we are constantly
only a stone’s throw away from a Tarrintino spectacular.
'The Bell Peppers - Shore Thing (Live)
So we've been underground and managed to source
out some fantastic bands that need to be heard by every man, woman and dog.
We
felt that shining a light onto Manchester's lo-fi scene was a very big step in
the right direction, to not only show that days of the parka and cheap abundant
drugs are long gone, but to highlight there are number of new gangs in town,
with their own unique musical quirks and charms, trying to stake out a
claim in this glorious city.
Liverpool and music go hand in glove. From the four mop-topped lads, who released their debut single over a half a century ago, to the vibes of The Coral and The La's. This city has always had a knack of producing such talented and successful musicians.
Although many may suggest that in recent years Liverpool's music scene has become bland, slightly stale and very unfocused. To which it is easy to see why. With lacklustre indie pop trio 'The Wombats' once being heralded as the city's musical saviour and a beacon for the future . . . even playing on top of The Liver building at one point.
However, here at The Funky Moped, we sense that the tide is finally turning in our Mersey paradise and that this could be a very special and successful year for music in the self-proclaimed humour capital. So with this in mind, we've hand picked 5 Liverpudlian artists that you should be getting excited about in 2013 . . .
The Sundowners
First up it's Wirral quintet 'The Sundowners', who've already been on the tip of everyone's tongues for a while now. Well there is actually good reason for this, as they are quite simply one of the most refreshing and timeless sounding bands we've heard in a while. With a concoction of influences ranging from 'Fleetwood Mac', 'Crosby, Stills and Nash' and 'The Byrds', as well as a shot in the arm, in the form of 'The Smiths'. They bring to the boil a jangly mirage of dreamy guitars that is then shackled down by some syrup covered vocals and a whole load of scrumptious acoustic strumming.
Their recent single "Hummingbird" is a truly vibrant and colourful lock-in, with the floating harmonies effortlessly taking us back to those hazy flower power days. The spell blindingly addictive track, is spearheaded by the dainty duo of Niamh and Fiona, who descend on a nostalgic melody trip, meandering between Alfie's brilliant lead guitar work and the toe tapping and hugely engrossing chorus.
Other tracks such as "No Goin' Back", "Not That Easy" and "Roll The Dice" express 'The Sundowners' capability of producing melodies that are utterly fixating, evidently unveiling their potential and future longevity as a band. With two Skelly's in the quintet, although not related to 'The Coral' wizards, it's little wonder why 'The Sundowners' are so bloody fantastic.
'The Sundowners - Hummingbird'
Death At Sea
Keeping true to their city's nautical roots, the aptly named 'Death At Sea' have already been riding high on the mandatory crests of hype and expectation, especially when you consider that these five lads only formed just over a year ago. With tyrannosaurus size guitar riffs and barbaric drumming arching over every song, their sound is simple, effective and hugely explosive.
The limited edition debut single "Drag", is littered with potent melodies and hooks ('When he's with her, she bleeds glitter'), as well as a wrestling bassline that ultimately cartwheels the song into a potential mass sing-a-long. The looping wooing on "Selfless", the b-side to "Drag", is a far more frantic affair, underpinned by a mash up of rumbling guitars and sneering honesty that effortlessly cruises through each chorus, resulting in a fantastic early 'Cribs' vibe.
Meeting at the crossroads between punk, pop and rock, 'Death At Sea' have culminated an irresistible lo-fi sound that is very much influenced by the work of 'Ash', 'Yuck' and even 'Doves', to which we absolutely love here at The Funky Moped. Having already supported a number of established artists, 'Death At Sea' complete with their own stadium-size sound, have the potential to set sail on their own successful journey in 2013.
'Death At Sea - Drag'
Bird
Having already played their part in a recent feature here at The Funky Moped, we have decided, after much deliberation, to include 'Bird' in this feature, simple because we absolutely love their music!Hailing from Liverpool, 'Bird' are a female
fronted three piece, that create such haunting melancholy it's earth
shatteringly beautiful. With the swirling harmonies eerily swooping down
onto each track, it feels as if you've just stumbled into the forest of a Gothic
novel, however this is heavily juxtaposed with flashes of tribal drumming
brilliance.
Their first release being the EP "Phantoms"
after the band had only been formed a year, and as you've guessed, features all
the hallmarks of their atmospheric doom influences such as 'Leonard
Cohen' and 'Tasseomancy', all of which results in a hugely organic
feel. "Shadows" is latest 'Bird' effort in which the gloom factor soars above the
tree line, leading to a captivating, engrossing and slightly hypnotic EP. The
mythical theme continues within their lyrics too, 'my soul will float on this
riverboat', which creates so much dramatic imagery it subsequently refers
'Kate Bush' an obvious 'Bird' influence.
Having already developed a strong fan base
through the release of their two acclaimed EP's, it's evident that the sky is
the limit for 'Bird', as their sound is growing in tandem with the burgeoning
Liverpool music scene . . . So give yourself time to soak your soul in the
terrific folk-doom sonics of 'Bird' and you're guaranteed to become a fan.
'Bird - Phantoms'
Jethro Fox
His voice is incredible, his melodies are bold and brilliant, and his name is 'Jethro Fox'. Based in Liverpool, although originating from Essex, the wonderfully named solo musician has not only witnessed widespread attention in his adopted hometown, but also nationwide notoriety, having appeared extensively on BBC 6 Music.
Playing his own brand of epic indie pop, 'Jethro Fox' is a talented multi-instrumentalist, who creates swirling, yet highly energetic harmonies that entice and claw you ever closer into his bustling layered sonics. Taking influence from 'The Beach Boys' and 'Arcade Fire', his debut single "Echo" is a groove laden wall of sound, which is aided along by a bucket load of chiming guitars and an incessant amount of reverb, making it bright, breezy and truly irresistible.
However, recent release "Blinding Light", clearly takes Fox out of the dark wilderness and into the light of the morning. The massively engrossing track, which emphasises his ability to flirt with experimental songwriting, features a striking piano refrain, thoughtful vocals as well as a sun kissed melody that shimmers and saturates the whole of the world. So, turn off your mind, relax and tune into the brilliant and unashamedly addictive experimental pop mystique of 'Jethro Fox', because we already have!
'Jethro Fox - Blinding Light'
The Tea Street Band
With our last choice, we're throwing caution to the wind by introducing a band that are more suited to the idyllic beaches of Ibiza than the pouring rain outside local venue The Shipping Forecast. Even at this early stage of their existence, 'The Tea Street Band' have already managed to flip the traditional definitions of a band completely upside down, the obligatory ounces of grit and swagger that any northern troupe usually possesses, appear to have been thrusted headlong into British rave culture, sparking an uplifting and euphoric sensation.
Scattered amongst their treasure trove of influences appears to be an array of references to acid house, indie rock, new wave and even dance, resulting in a sound that is astoundingly unique and bloody difficult to pigeon hole. Their debut EP "Summer Dreaming" features two tracks, 'Fiesta' and 'Summer Dreaming', which, with their falsetto vocals and twinkling guitars, float on a diet of jubilation and uncoordinated dancing.
The release of "Disco Lights" brought the band even more acclaim, with many comparing their craft to the 'Happy Mondays' as well as 'The Chemical Borthers', but with a tinge of 'Doves' on the way. 'The Tea Street Band' not only provide the soundtrack to our summer, but they also provide brief escapism, from the downtrodden economic climate and Conservative rule of 2013 . . . Just like their brothers and sisters did back in the 80's.
'The Tea Street Band - Disco Lights'
The answer to whether there is a vibrant and developing music scene in Liverpool all depends on what side of bed you got out of this morning or, most probably, this afternoon. With the closure of established venues such as Masque and Static Gallery, although most likely due to the recent economic climate, does somewhat epitomise the current sorry state of affairs in Liverpool.
However, by conjuring up this epic and articulate selection box of Liverpudlian noise, it is clear to see that there is a massive and hugely diverse music scene goin' down within the city, to which we should all be tuning into and getting extremely excited about . . .
As more and more people are waking up to smell the passionless plastic coffee of the mainstream music industry, there is a gaping hole in the market that needs to be filled as a method of enticing listeners into a place of passion, invigoration and downright refreshment.
Step forward 'The Laboratory Project', who are aiming to do just that. By teaming up with a host of fantastic underground artists from across this great land, they have come together to produce "Resonance", a 19 track compilation album featuring a magnitude of musical genres from roots reggae to the psychedelic sixties with brief visits to everything else in between.
The sole purpose for the production and release of "Resonance" is simply twofold, firstly the 'Laboratory Project' wanted to give exposure and recognition to a range of talented artists, both off and on stage. Secondly, they also wanted to put the sceptism and myths surrounding unsigned music to bed, by aiming to propel underground music into the heart's, souls and ears of the masses.
In true independent style, 'The Laboratory Project' are not gaining any financial reward from this collaboration, instead half of the profits are heading towards the artists and the remaining 50% are being re-invested into the unique charity 'NoiseFestival.com', who provide fantastic opportunities for fellow underground musicians to create a platform in which they can sell and distribute their work.
After an outstanding launch gig at Fac251 on 14th December (click here to read review) that gave us a cracking insight into the delights that you can expect to find on the album, we are sure that this compilation will introduce you to a range artists you will instantly become a fan of.
By purchasing this album you are not only supporting the artists, 'NoiseFestival.com' and 'The Laboratory Project', you are more importantly supporting the future of independent and underground music.
Clint Boon: "I’m always really keen to support individuals and bands trying to get a break in the music industry. ‘Resonance’ is a no brainer for me"
Peter Hook: "The Laboratory Project are about new music and artists and its great that they’re helping up and coming bands with their Resonance album which also benefits the charity NOISEfestival.com."
Released on 31/12/2012 (NYE) you can purchase from the following outlets: iTunes
We may have been away enjoying the Christmas festivities by drowning ourselves in alcohol and consuming our own body weight in chocolate, but we've also been working harder than St Nicholas on Christmas eve to bring you our fantastic next instalment. This time it's all about girl power, more specifically we're focusing on five female fronted artists that you should be tuning your ears into, whilst you're gettin' your chops around those leftover turkey butties.
By keeping our geographic routes close to our Northern hearts, we originally aimed to cater only for artists in the North West of England, but we couldn't resist, so we've chucked in one from the Scottish Highlands just for good measure.
Findlay
First up it's the fascinating, yet fearless 'Findlay', who at the age of just 21, has already witnessed a wave of attention in and around the cobbled streets of Mancunia with her debut single "Your Sister". From the first strike of the sleazy blues drenched guitar riff, this song is comparable to pornography, with Findlay's vocals being grittier and hornier than a pent up 'Karen O'. The percussion is energetically pummelled into the heart of the track too, ultimately developing a raw-garage tone to Findlay's craft, which is so powerful it even looks 'Black Rebel Motorcycle Club' dead in the eye.
The other offering that Findlay serves up, "You Gave Me Grace", although much less rip-roaring and knee trembling than "Your Sister", still features impressive waves of blues-tinged momentum that highlights Findlay's expansive vocal capability. Currently signed to Joyeux Anniversaire Records, we'll defiantly be keeping our beady eye on Findlay. Having already supported Jake Bugg and The Courteeners, she's destined for great things.
'Findlay - Your Sister'
Bird
Hailing from Liverpool, 'Bird' are a female fronted three piece, that create such haunting melancholy it's earth shatteringly beautiful. With the swirling harmonies eerily swooping down onto each track, it feels as if you've just stumbled into the forest of a Gothic novel, however this is heavily juxtaposed with flashes of tribal drumming brilliance.
Their first release being the EP "Phantoms" after the band had only been formed a year, and as you've guessed, features all the hallmarks of their atmospheric doom influences such as 'Leonard Cohen' and 'Tasseomancy', all of which results in a hugely organic feel. "Shadows" is latest Bird effort in which the gloom factor soars above the tree line, leading to a captivating, engrossing and slightly hypnotic EP. The mythical theme continues within their lyrics too, 'my soul will float on this riverboat', which creates so much dramatic imagery it subsequently refers 'Kate Bush' an obvious Bird influence.
Having already developed a strong fan base through the release of their two acclaimed EP's, it's evident that the sky is the limit for Bird, as their sound is growing in tandem with the burgeoning Liverpool music scene . . . So give yourself time to soak your soul in the terrific folk-doom sonics of Bird and you're guaranteed to become a fan.
'Bird - Phantoms'
Stealing Sheep
There must something in the Mersey. Firstly Bird and now fellow Liverpudlian's 'Stealing Sheep', who also flirt with tribal folk, but this time dress it up with a flare of DIY hallucinogenic pagan pop.
The all female trio, who are signed to the legendary Heavenly Records, have already been plunged into the spotlight with their album "Into The Diamond Sun" which features a blended mirage of musical genres that is similar to a Woolworth's pick 'n' mix and virtually impossible to pigeon hole. The songwriting and musical experimentation is simply impeccable, which ultimately creates an innovating, colourful and very much intriguing debut LP. Stand out tracks are defiantly, and coincidentally, the singles "Shut Eye", "Rearrange" and "Genevieve", which perfectly captures the slightly chaotic, wonderfully vibrant and unashamedly intoxicating sound of Stealing Sheep.
Although lazily cattle branded by many as the English 'Warpaint', there is so much apparent depth to their craft, with a 'Fleetwood Mac', 'Jefferson Airplane' and 'Bat For Lashes' vibe being prevalent on their debut release. If you enjoy the taste of Folk-pop but are currently looking to broaden you're palette, then we recommend tucking into the pagan pop bites of Stealing Sheep.
'Stealing Sheep - Shut Eye'
PINS
Emerging from Manchester, 'PINS' are an all female quartet, who have already witnessed the obligatory mountain of expectation than any young group of musicians receive these days. However there is good reason for all this hype, as PINS are probably one of the most exciting, refreshing and palpable bands in Manchester right now, regardless of their feminine qualities.
Heavily influenced by the work of 'Beach House', PINS effortlessly create a thunderous and relentless guitar drive with each song that resembles the fuzz of 'Jesus and the Mary Chain' as well as 'My Bloody Valentine'. Better still, they do it with such brilliance and intelligence that a pop song is still harnessed into the roots of each track, evidently becoming a record label's wet dream.
Their monochrome symmetry, is not only captured throughout the band's atmospheric film noir artwork, but is also represented within the simplicity of Lara's drum work, which provides an industrial, locked in a basement eeriness to their craft. With a sound that resembles Berlin or Brooklyn far better than Manchester, tracks such as "LUVU4LYF", "Eleventh Hour" and "Say To Me" express the explosive, penetrating and sweeping howl of PINS.
"Girls will want to be them, boys will fancy them. In fact, girls will fancy them too and boys will also probably want to be them, so deadly is their concoction" - The Recommender.
'PINS - Say To Me'
Rachel Sermanni
Although not even English, never mind from the North West, 'Rachel Sermanni' is still as bloody brilliant as the rest of the female artists we've already unearthed. The 21 year old solo folk musician, hails from the Scottish Highlands and defiantly puts her unique, and often mystical, stamp on the ever saturated 'indie-folk' category.
Her songwriting is a visual masterpiece leading you from non-fictional images of the sea and the mountains into a magical fairytale world of marshmallow unicorns and monsters. Rachel's vocals whisper through the verses then strike down like a biblical storm during the climatic chorus, all of which is added to some emotive, yet restrained guitar arrangements and harmonies. Her debut release "Under Mountains" will draw up obvious similarities to acoustic-folk veteran 'Laura Marling', but peering through the foundations of darker tracks "Bones" and "The Fog", which incidentally are two of her stronger songs, lurks the style of 'Tom Waits' and 'Nick Drake'.
Her music is a daydreamers delight that's etched in beautiful poetry as well as marvellous melodies, and having already caught the eye of 'Mumford and Son's' who even took her under their musical wing, we can guarantee that Rachel Sermanni is destined for a prosperous career if she continues to produce such astonishing songs.
'Rachel Sermanni - The Fog'
And there we have it. Five of the most freshest, exciting and innovating female artists in the North West of England (and the Scottish Highlands too). So we're not looking to put the weight of the world on their shoulders, but instead aming to share the musical fruits of their labour with our readers . . . . So go on then type them into the Spotify search bar and enjoy!
